Showing posts with label Christopher Partridge. Show all posts
Showing posts with label Christopher Partridge. Show all posts

Saturday, May 30, 2009

Joseph Laycock - Modern Vampires: Your Neighbors and Spouses

As regular readers of this blog are aware, one of the continued areas of interest and research for me is the intersection between popular culture, spirituality, and theology. A recent interview at religion dispatches with Joseph Laycock, a doctoral candidate at Boston University, touches on these areas and dovetails with some of my own interests as Laycock touched on his research into the issues surrounding modern vampirism.

Several aspects of Laycock's research are worth noting. First, he approaches this topic not as a new religious movement, but instead from the broader way in which people in late modernity are constructing their senses of identity. From this perspective Laycock sees contemporary vampires as undergoing a process of self-discovery.

Laycock also attempts to set the record straight in terms of misconceptions about the vampire community, usually construed as "a subversive religious group and that anyone who identifies as a vampire is a dangerous social pariah." Rather than these stereotype Laycock's research confirms that he sees "self-identified vampires more or less as ordinary people."

Interestingly, toward the conclusion of the interview Laycock is asked which book he wished he had written. He refers to Christopher Partridge's excellent book The Re-Enchantment of the West, Volumes I & II, and his development of the idea of "re-enchantment" theory in the West in late modernity as a significant concept in the study of new religions and the Western quest for spirituality. Laycock's research into modern vampires fits will with the idea of people seeking re-enchantment, as well as seeking inspiration for identity and spirituality through aspects of popular culture such as literature, film, and television, resulting in the creation of what Partridge labels "popular occulture."

Wednesday, November 12, 2008

The Lure of the Dark Side - Correction


Correction: The author if the review mentioned below brought to my attention that I confused two books on similar subject matters, both involving contributions by Christopher Partridge. The one I posted on is a multi-contributor volume, and the one reviewed with the excerpt below is from a short volume by Partridge alone titled Understanding the Dark Side (Chester Academic Press, 2006). I have read Partridge's paper that makes up the latter book, but not having seen The Lure of the Dark Side I can only guess that perhaps it, or at least much of what it proposes, overlaps with the shorter volume. At any rate, they make for an interesting study on Westenr demonology, the new religions, and popular culture. My thanks to the Sub Ratione Dei blog for bringing my error to my attention for clarification among readers.
One of the more interesting aspects of studies in new religious movements is the influence of Christian views of demonology on the topic. This can manifest itself in a variety of ways, from a major interpretive lens through which the new religions are construed by many evangelicals as manifestations of the satanic, to the the incorporation of streams of Christian demonology within the beliefs of the new religions themselves.

Christopher Partridge and Eric Christianson have edited a volume that explores the influences of Christian demonology on the new religions and popular culture in the book The Lure of the Dark Side: Western Demonology, Satanic Panics and Alien Abduction (Equinox Publishing, 2008). The book was recently reviewed here with an excerpt from this review below:
"Although the subtitle promises to be a survey of western demonology, Satanic panics, and alien abduction Partridge’s survey is more a deconstruction of UFO religion and the eclecticism of its sources. The extra-terrestrial religious ideas may have had their origin in theosophical strains of Eastern thought but the religion of groups such as Heaven’s Gate is in fact more rooted in western demonology, specifically the adaptation in popular culture of the idea of the nephilim (Gen 6: 1-4). In the space of a short lecture Partridge has done a good job at delineating the dialectic between theory and popular culture and so, from the perspective of those interested in alternative and fringe religions the author has done a good job in charting the field. However, for those like my self who do not spend much time thinking about the theology of the Raelians a more interesting phenomenon - why as the stranglehold of ‘Christian’ understandings of the world been dissipated have these religions relied on parodies of Christian demonologies. In understand that popular culture is tapping into a latent understanding in invoking such ideas from Christian sources - however, the fact that the UFO religions have followed suit strikes me as a far more interesting question both theologically and sociologically."

Thursday, June 19, 2008

Forthcoming Book on Demonology and Popular Culture

Amazon.com notified me that a new book will be coming out on June 30 in the form of The Lure of the Darkside: Satan and Western Demonology in Popular Culture (Equinox Publishing, 2008). The volume is edited by Christopher Partridge and Eric Christianson. I have been impressed by the quality and originality of Partridge's work, and that, coupled with the book's subject matter make this book worth seeking out.

The publisher's website includes the following:

DESCRIPTION
Personifications of evil in the form of demons, devils, spirits, vampires, and other malign entities can be found across the popular cultural spectrum. One only has to peruse the shelves of music and bookstores or view the content of some of the most successful films and television series to discover evidence for the phenomenal popular fascination with the demonic other. However, rather surprisingly, this is not an area in which much research has been done.

This volume examines the demonic foil within popular culture. Its brings together an international team of some of most important and creative scholars in the areas of Biblical Studies, Religious Studies, and Christian Theology currently exploring the religious significance of popular culture.

CONTENTS
INTRODUCTION Christopher Partridge & Eric Christianson

Part I: Music

CHAPTER 1: Satanism and Popular Music
Asbjørn Dyrendal (Norwegian University of Science and Technology)

CHAPTER 2: Between Hymn and Horror Film: How Do We Listen to the Cradle of Filth?
Peter Mercer-Taylor (University of Minnesota)

CHAPTER 3: When Demons Come Calling: Dealing with the Devil and Paradigms of Life in African American Music
Anthony Pinn (Rice University, Houston)

CHAPTER 4: Dark Theology: Dissident Commerce, Gothic Capitalism and The Spirit of Rock ‘n’ Roll
Charlie Blake (Liverpool Hope University)

Part II: Film

CHAPTER 5: Speak of the Devil: The Portrayal of Satan in the Christ Film
Bill Telford (University of Durham)

CHAPTER 6: Celluloid Vampires, Technology, and the Decline of Religion
Titus Hjelm (University of Helsinki)

CHAPTER 7: A Man of Wealth and Taste: The Strange Career of Hannibal Lecter
Brian Baker (University of Lancaster)

CHAPTER 8: Demons of the New Polytheism
George Aichele (Adrian College, Michigan)

CHAPTER 9: Scriptural Dimensions of Evil: Biblical Text as Timepiece, Talisman, and Tatoo
Larry Kreitzer (University of Oxford)

Part III: Literature

CHAPTER 10: James Hogg and the Demons of Scottish Presbyterianism
Crawford Gribben (University of Manchester)

CHAPTER 11: Voldemort, Death Eaters, Dementors, and the Dark Arts: A Contemporary Theology of Spiritual Perversion in the Harry Potter Stories
Colin Duriez